Nick Maxwell This latest in the series by Tom Garvin on twentieth-century Ireland focuses on the 1950s, that pivotal decade during which Ireland belatedly caught up with the modern world. But it is history with a difference. Garvin reconstructs the period not on the basis of personalities or events but on what he calls ‘the public record … Read more
As the centenary anniversary of the outbreak of the Great War approaches, the body of literature on the Irish experience of ‘the war to end all wars’ grows apace. As with other areas of Irish history, popular historians lead the march and are some way ahead of their counterparts in the universities. The past decade … Read more
With typical Irish flare for understatement, the series of events outlined in Colin Barr’s book came generally to be known as the ‘Callan case’, which conjures up images of an insignificant incident in the rural Ireland of the latter half of the nineteenth century. As the title of the book intimates, however, there were far … Read more
The Sanctuary Lamp Written and directed by Tom Murphy, B*spoke Theatre Company Arcola Theatre, London, 10 March–3 April Everyman Palace Theatre, Cork, 12–17 April Civic Theatre, Dublin, 20–24 April Riverbank Arts Centre, Newbridge, 26–28 April Townhall Theatre, Galway, 4–7 May by Eamon O’Flaherty A brilliant production of Tom Murphy’s classic play dealing with themes … Read more
‘Who controls the past controls the future. Who controls the present controls the past.’ (George Orwell) This is Ireland in 2010, not Nineteen Eighty-Four. Nonetheless, Orwell’s dystopian vision has much to teach a society, such as ours, that professes to be democratic. Freedom of access to the records of the state is a core … Read more