Sir, —Desmond Fennell (HI 13.5, Sept./Oct. 2005) avoids the Dark Agesentirely when the Church so ruthlessly imposed its dedication tosuperstition and ignorance that the Celtic Church in Ireland,sufficiently remote to escape the worst of its baneful influence, hadto rescue continental Europe. The protection of Charles the Baldallowed the best of those pioneers, the critical-thinking Irish … Read more
Sir, —In his rather superficial discussion of the JFK assassination in the last issue (HI 11.4, Winter 2003), Mel Ayton matches the wilder speculations of the conspiracy theorists with some of his own. Among these is his unqualified assertion of the most fantastic of the conclusions of the Warren Report—the so-called ‘single bullet theory’. … Read more
Sir, —Seamus Fox (HI 13.6, Nov./Dec. 2005) bases his letter on ‘theaftermath of the ambush’ and the killing of ‘unarmed Auxiliaryprisoners’. Owing to the editor’s note closing the debate, I’mrestricted in responding. Since a late amendment to my article (HI13.5, Sept./Oct. 2005) did not make it to the printing stage, theeditor, in recognition of this … Read more
Pauric Travers Whatever the final outcome of the Junior Certificate controversy and notwithstanding the gratifying level of support from the general public, it is likely that the pressure on history within a crowded curriculum will continue. This places an even greater onus on the primary sector which is the only level of the … Read more
Friel renaissance Translations National Theatre, London Aristocrats Nuffield Theatre, Southampton by Mark Coalter The works of Brian Friel have had a renaissance on the London stage of late. In 2005 Friel’s masterpiece Translations and the less-celebrated Aristocrats appeared in the National Theatre to sell-out audiences, whilst Home Place won the coveted Evening Standard Theatre Award … Read more