In his article ‘Billy’s Boys’ in the last issue, it is a pity thatBrian Lacy does not answer the question posed in the introduction, thatis, whether William III was in fact homosexual. In researching my bookOrangeism—the making of a tradition (1999) I looked closely into thisquestion and went through as much material on William as … Read more
Sir, —When assessing Oliver Cromwell’s legacy in Ireland, we should notoverlook the religious congregations he supported in Dublin during theCommonwealth. The Protestant Dissenter congregations at Wood Street andNew Row were a source of republican ideas and pro-reform politics inthe city from their foundation through to the establishment of theUnited Irishmen in the late eighteenth century. … Read more
It is a tragic irony that in Ireland’s fight for independence and a new beginning in 1922 we also lost the vast majority of our historical records dating back to the Middle Ages. From one of the richest holdings of medieval and early modern manuscripts in Europe, Ireland now has the misfortune of possessing one … Read more
Harps have been associated with Ireland since ancient times, when harpers were the musicians maintained by chiefs and kings. In the 1500s the harp became the symbol of Ireland itself on the coins of Henry VIII, the first ‘king of Ireland’. After the collapse of the Gaelic order, harpers still found patronage among the aristocracy … Read more
The Rothe collection—on show in last year’s exhibition at Cork’s Crawford Art Gallery, ‘Portraits and People: Art in Seventeenth-Century Ireland’—contains five significant interrelated artefacts. It has intriguing portraits of David Rothe and his nephew, Thomas, painted by some unknown, possibly Continental, artist who was in Kilkenny at the time of the Catholic Confederation. Their … Read more