‘Infatuated to his ruin’: the fate of Thomas Dermody, 1775-1802
Russell K. Alspach, in Irish poetry from the English invasion to 1798, wrote of The Harp of Erin (1807), a substantial, posthumously published anthology of Thomas Dermody’s verse, that one could go through it ‘without stumbling on anything that even faintly resembles poetry’. Dermody’s means deter-mined his themes; thus he wrote safe poems to flatter … Read more