Rejection and rehabilitation: Why Handel’s Messiah was premièred in Dublin
Many readers will hear Handel’s Messiah at the annual performance by Our Lady’s Choral Society on Fishamble Street, which, this April, will be part of Dublin’s first Handel Festival. Few, I suspect, will be familiar with the story of rejection and rehabilitation that lies behind it—in particular, why it was that a German, who had … Read more